Traditional Artistry of Banyumas

CALUNG, that is peripheral of typical music of Banyumas the madeness of bamboo of wulung like with jawa gamelan, consist of barung gambang, router gambang, dhendhem, kenong, gong and kendang. In the him of dipper accompanied by vokalis the inveterateness referred as sinden. Musical aransement which presented in the form of Javanese musicals of Banyumasan, style Javanese musical of Banyumasan, Surakarta-Yogyakarta and often is also presented by pop songs which is re-aransement. Calung (Dipper) it is said- is “dosok jarwo” (two joined word become one becoming new word) which mean wulung pring carang (bamboo sprout of wulung) or count of melung-melung (beated by to have clear voice). this equipment music have of barrel of Slendro with tones 1 (ji), 2 (ro), 3 (lu), 5 (ma), and 6 (nem). Typical traditional form dance Ebeg of Banyumas with especial properti in the form of horse or ebeg of kepang. This artistry depict gallantry of cavalier with all the attraction of and isn't it by 8 dancer of man. Usually in demonstrating ebeg provided with attraction of barongan, penthul & cepet. In the demonstrating of ebeg accompanied by gamelan the inveterateness referred by bendhe. In demonstrating of him, ebeg provided with sintren (dancer of man which dress up womanly) in a coop. Ebeg still thrive in all Sub-Province region of banyumas.

LENGGER, that is folk dance type which thrive region of se-baran (part of) cultural of Banyumas. This artistry of him of presented by two women or more. mid demonstrate to attend a dancer of man which is inveterate to be referred by badhud, Lengger presented nocturnal onstage or day noon , and accompanied to process peripheral of dipper music.

SINTREN, is art of traditional which isn't it a man imposing woman cloth. Usually this artistry stick at artistry of ebeg. Middle demonstrate ebeg all players conduct intrance (mendem), later then one of the player of body mendem, is later then overlaped with input lesung.And into coop. In that coop is he dress ups by women and dance with - is equal to other player. At some cases, that player [do/conduct] thole-thole, that is dancer bring “tampah” and circle arena to ask audience contribution.

Salawatan Java, that is one of the music art have Islam breath to with peripheral of music in the form of jawa “trebang”. In the theatre of this artistry isn't it taken away from by song is book of “Barjanji”. Shadow Play of “Gagrag Banyumas”, that is artistic type of show of shadow play which is have breath to of Banyumasan. In this area is recognized by there is two style or “gragak”, that is Mount Kidul Gagrak and of Gagrak Mount Lor. Specification of from shadow play of Gagrak Banyumasan is nationality breath of which so jell in the theatre of him. Typical artistry of Banyumas spread over in almost entire/all “pelosok” of area. Itself artistry generally consist of art show of people owning certain function related to life of society of is owner of him.

BEGALAN, is art say traditional which used as by nuptials medium, of him in the form of kitchenware which is each owning containing symbolic meanings of philosophy of jawa & good for both “mempelai” in fording life keep house. Begalan depict event of robbery to wafting goods of “besan” (party/side of “mempelai pria”) by a robber. In people philosophy of Banyumas, the robbed is not good and chattel, but foot/feet “sawane bajang penganten” of “penganten nini” (all kinds of possible constraint happened in life keep house at both “mempelai”). Begalan done by two adult man people which is “lanang pancer sedulur” (you mark with lines men) of party of mempelai pria. Both of player of begalan dance [in front/ahead] of both mempelai brought properti of is so-called “kepang brenong”. In staging of him, both of player dance to be accompanied by Javanese musicals of banyumasan presented use peripheral of gamelan. Till in this time Begalan still thrive in all Sub-Province region of Banyumas.